Somewhere, the late Neil Hess might be looking down on Palo Duro Canyon — with a smile on his face.
The longtime artistic director of the acclaimed musical “Texas” died not long ago. I didn’t know the man well, but I certainly felt badly for him over the way he was dismissed from his job many years ago after devoting many years before to making the musical the attraction it has become.
We went tonight to the play and watched — for the umpteenth time — the pageantry, flash, color and talent that danced across the amphitheater stage. We had a special treat, too, as our granddaughter came with us … along with her parents and her brother.
“Texas” ended with its trademark salute to our beloved nation, complete with fireworks, lighted water displays and lots of proud music.
My wife and I have lived in the Texas Panhandle for more than 21 years and we’ve been to the musical on the floor of the canyon more years than we’ve missed during all that time. We’ve watched the play evolve some over the years. The artists tinker with bits of the play here and there just to change things up.
The story remains the same: a fictionalized telling of the settling the Panhandle and the advent of the railroad.
There’s a bit of pathos in it, with the Quanah Parker character telling the settlers of the sacrifices he and his people made and the suffering they endured while giving away their beloved land to the white men.
You know already, perhaps, that I’m a sucker for pageantry. I love patriotic music, the sight of Old Glory, the salutes to veterans and active-duty military personnel.
https://highplainsblogger.com/2016/07/love-that-patriotic-pageantry/
“Texas” encompasses all of that while telling a robust story of a people who were willing to sacrifice everything to settle a once-wild and untamed region.
Man, the play continues to amaze me after all this time.
And wherever he is, Neil Hess — and I hope he eventually got over the way his association with the musical ended — should be glad to see his legacy continuing to flourish.
